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Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

So bad that it's good

Monday, November 30, 2009

Managed to get to Brent Res on Saturday for an hour.  The Cetti's Warbler was again refusing to make a sound which is a pity, as this would have been a nice patch tick.  There were plenty of ducks and Coots and a fair few snipe which was nice.  After a while, I trained the germans on some mud at the far side, as I reckoned that it was a suitable area for a certain species.  Bingo!  Out of the reeds it came, patch tick in the bag.  Much pleased was I.

The photograph below does include the species in question, and was only intended to be a record shot, but it turned out to be so rubbish, even by my own rubbish standards, that it has turned into an abstract piece that somehow manages to convey the habitat and habits of the species, as well as important identification features (perhaps it's jizz even)  in one simple snap.  Allegedly.  And no, it's not the Teal.

Can you see it?


A species of bird doing jizz

Post # 200. Eric Ennion.

Wednesday, October 28, 2009

I have recently acquired another copy of the Shell Bird Book by James Fisher from a second hand book emporium, and very good it is too. Youngsters that may happen upon this blog may not have heard of it but you will find that many 'old codgers' will speak fondly of it. I may be wrong but I think that there was more than one version produced, the version that I am referring to is not a field guide, but a book about birds or perhaps more accurately a book about everything about british birds.

Flicking through it and also reading chunks of it has been great but the thing that stood out most to me was the artwork by Eric Ennion. In the field guides we have now, such as the Collins and the big Helm Gull book etc the artwork, although excellent and accurate, is often cold and clinical. We need this.  Indeed we all pretty much asked for it but this isn’t a grumble about what we have now, just an observation.  If you look at the field guides from the fifties onwards (once the Thorburn images in the Observer books were quietly put to one side), there seemed to be more life in the artwork but this all changed with the Peterson model as birders were desperate for more definitive illustrations.  Gone now are the dodgy impressions of birds not seen in life by the artists and Stone Curlews looking backwards in flight.  

The Ennion plates in the Shell book, and from what I have seen of his field guide, give more of the impression, the movement and I suppose for the want of a better word – jizz of a species and are nothing but pleasurable to view.

Have a look at the example below of a Pied Wagtail which I have 'borrowed' from the Eric Ennion estate



Top stuff eh?


The website on has much more of his stuff, the phalarope picture on the home page is great and the long-tailed tits on this page are a delight.  Rummage around the site and you'll see that his landscapes are pretty good too.

So there you have it.  200 posts.   

I'll probably be back to swearing about gulls tomorrow. 

Patch Art Exhibition

Wednesday, September 09, 2009


Yesterday, these idling Herons reminded me of Antony Gormley's Another Place.



And then there was the Thames' interpretation of Dali's Persistence Of Memory.





No, not many birds yesterday.

A Common Gull doing passing through.


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